The 2021 CFCA nominations, led by West Side Story, The Power of the Dog, and The Green Knight.
On the latest Blu-ray and streaming releases, including The Protégé, Respect, Candyman, and Jungle Cruise.
An article about the promotional "Candyman" experience arriving in Chicago on August 21st and 22nd.
A feature on the best television of 2020, as chosen by five RogerEbert.com TV critics.
On two of the most-buzzed films of Sundance, A24's Zola and Neon's Palm Springs.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
Rise of the black British actor in America; The gaze of "Foxcatcher"; Chris Kyle was a hate-filled killer; Sophia Takal on "The Lego Movie"; Sorry celebrities, the TCA does not clap.
At the heart of Steven Spielberg's "Lincoln" is a quiet scene between President Abraham Lincoln (Daniel Day-Lewis) and two young men, Samuel Beckwith (Adam Driver) and David Homer Bates (Drew Sease), in an otherwise empty telegraph cipher office. Lincoln has to make a crucial decision: Does he consider a peace proposal from a Confederate delegation on its way to Washington, and thus perhaps immediately end the bloody Civil War that has claimed the lives of more than half a million Americans, knowing that it would doom his attempt to pass the Thirteenth Amendment to the Constitution, officially banning slavery in the United States? Or does he try to legally solidify and extend his Emancipation Proclamation by getting the Thirteenth Amendment passed during a narrow window of opportunity (during the lame duck session of Congress between his re-election and second inauguration) at the cost of extending the war?